Here is a testimonial from our most recent client. We had a successful teambuilding program held in Nashville, Tennessee.
When I first settled in South Florida after a long stint in Nashville, I struggled to find my creative tribe. I had left the songwriting capital of the world, a musical ecosystem built around daily collaboration, to run a large, non-profit dog rescue in Wellington. The opportunity to build a new team, create a revitalized culture and save the lives of man’s best friend was too tempting for me not to give it a whirl. I realized quickly that my experience as the Founder and Lead Facilitator of THE Song Team would not only still be relevant in this new venture, but rather would remain front and center in every professional setting I encountered moving forward.
Corporate team building in Florida, whether at the music-themed hotels Margaritaville, or The Hard Rock Guitar Hotel is more important than ever. Leaders who don’t have blinders on, recognize the value and set aside a budget to intentionally create programs and space for free-form collaborations. It’s the same stuff that created Apple or Google, that created hit songs of a lifetime such as any Lennon & McCartney tune, or the latest #1 hit for today’s country stars.
While I am always happy to get back to Nashville for our self-titled “Nashville style team-building, what I have found is that Musical Team Building in Florida can be every bit as relevant as it was in Music City USA. When we go through the process of ideating a song-concept that molds to the current narrative of an organization or company going through the continual process of evolving in this “Post-Covid” landscape, the excitement and revelatory expressions we see in participants faces for our songwriting/team building programs in Miami, Fort Lauderdale or Orlando are every bit as poignant as they are when we do these programs in Nashville.
Corporate team building workshops or our larger, experiential keynotes where we put notes to the page to form chords, and then combine those chords into an instantly hummable melody for the client are so effective in communicating new initiatives and products, combining corporate cultures after a merger, or launching a new service. Remember, we’re also organically teaching organizational story-telling. It’s this storytelling that connects with all of us out there searching for connection to the products and services we most frequently think we want or need.
So clear a wall in the common space of your workplace, paint it in chalkboard paint to create a collaboration wall, OR keep large, blank POST-IT pads in supply on that wall, or a large, dry erase board. Either way, encourage those ideas, and those re-vamped ideas, and those revisions of the revamped ideas… to keep coming. Encourage and reward the idea process. It’s what’s going to engage your employees and it’s what’s likely to give birth to the most unique new products and services that differentiate your organization from that of your competitors. Now and always. And remember, this is a fluid and ongoing process. Whether it’s Florida Team-building, Nashville team-building, or Denver team-building…it’s all the same. Notes in a chord, and chords and lyrics together…make up the song. Your song. Your Sound. Your story.
Ever been to a good, authentic Irish Pub? You’d know it if you had. Dark wood, soft lighting, dark humor, darker beer, bright smiles. You know the place right? Oh, also a good Irish Pub will almost always have an acoustic duo or trio in a corner playing a combination of foot-stompin, Celtic drinking songs, and cry me a river Irish ballads.
At The Field, on Griffin Road every Thursday, Friday and Saturday night a trio called “Celtic Bridge” takes the stage. And as I experienced last night, the regulars at THIS Irish Pub, love their string-band music. Man, do they!
Celtic Bridge is comprised of John Schreiber – bass, guitar, vocals, Roisin Dillon – fiddle, and Ade Peever -guitar, vocals.
The band plays a mixture of traditional Irish jigs and reels, Irish and Scottish folk songs, original songs, and popular music from various genres. The band borrows liberally from the catalog of The Clancy Brothers with Tommy Makem, Christy Moore, Van Morrison and The Chieftains, Dick Gaughan, Robert Burns, Lunasa, Crooked Still, Planxty, Andy Irvine, and Paul Brady. They also sprinkle in original songs by Ade Peever, original tune arrangements by John and Roisin, and the occasional mountain, old-time and Appalachian influenced tunes.
Ade and John have a great stage presence, and it’s clear to anyone paying who is attention, that these guys LOVE the collaborative music-making process. For them, making music is not just a collaboration between musicians on the stage….but also a joint exercise in merry, melody making with the audience themselves.
And Roisin on Fiddle simply rocks. She’s played in string bands all around the world, and these days Hollywood is very fortunate to have her as the string shredder of the house band at our own local establishment.
The band takes requests, cues the audience when to clap on certain songs, stomp their feet on others….or chime in with a line of a song such as “I think I’ll have a pint!” All of this interaction leads to a truly unique evening of entertainment. Playing live music requires a live audience if you know what I mean. Certainly, some kinds of music engage in different ways, but in a genre and setting which demand a true give and take with the audience, these guys didn’t let us down.
About halfway through the 2nd set, The fellow on the barstool next to me walked up to the stage and dropped a few bucks in the request jar. “Galloway Girl”, an old Irish ballad was the tune he wanted to hear. As the band plowed through this emotional melody, I looked his way through the corner of my eyes. I could see he was tearing up during the first chorus. Who doesn’t love a good cry?
This song was followed by foot stompers and hand clappers such as “Finnegan’s Way”, and “The 200-Year-Old Alcoholic.” These songs that I was previously unfamiliar with, now are on my list to look into further, and maybe even learn myself to have some fun on the guitar. The songs of the Irish are often poignant, often festive, and often humorous. Sometimes, all in the same title.
I can’t wait to dig deeper into original recordings by Ade and visit again with these guys. They make Hollywood proud. If you want to visit them check out their Facebook page for more information. Another Guinness please barkeep!
Email Jeff Jacob if you have a local band you’d like us to check out!
Find the original article here.
So, I’m sitting on a colorful blanket under a palm tree on Hollywood Beach. Having found a little shade in the heat of the day, I am content. Toes in the sand, I have a notebook and pencil with me.
There is sand, breeze, and salt in the air. Heavenly. About an hour into my “allotted” two-hour window, (how much money I’d put in the meter), I noticed the sand around my blanket was moving. Little red ants were going about their business.
At first, I was startled. I love all things outdoors, but some of the DNA in my family tree does not.
However, I’m not them, and they’re not me, right? Trying to be calm about it, I use hands and feet to push piles of sand around me and move the ants (without harming them..mostly) away from the blanket. Surely, they would get the point if I kept digging these moats and building these…well, ant “defense” hills?
Nope. These industrious critters kept on their merry mission. United and focused on the task at hand. They seemed to be working together towards a purpose of higher calling. One that largely involved moving around my blanket, though not on it. Mostly. Some of them did make it onto the blanket as I held still and tried to focus on my book, the ocean, the breeze… is something crawling on my leg? Nope, nothing there, wait….nope nothing. Oh, there’s one. Crap.
I was fascinated by their determination, their collaborative instincts. The way they worked together reminded me of an article I once read about a forest of trees all of whose roots were connected. They communicated with one another in an organic, almost mystical way.
This red army was on their own little scavenger hunt for who knows what…food? Building materials? A Ms. Pac Man machine with a joystick that works well? Not sure what, but they had a mission, and somehow they were energetically connected. Did they ever quarrel? They must sometimes.
I recently saw “Bohemian Rhapsody” and Queen, like all bands, had their fights. But they also did some amazing work through collaboration.
Did you know that infamous foot stomping, drum-banging part at the start of “We Will Rock You” was not Freddie’s invention? Rather, it stemmed from the genius of guitarist Brian May. At the start of a rehearsal that Freddie hadn’t yet arrived at, May got tired of waiting and pitched his idea to the band of somehow involving the audience in part of this new song. Giving them their “own part.” Can you hear it? Stomp, stomp, clap…stomp, stomp, clap!
If you are inspired to do something collaborative with the entire community, join us in our annual city-wide scavenger hunt. We’ll challenge you, have fun, get to know each other, shine a light on some local non-profits, and celebrate all the good that Hollywood has to offer!
Here and everywhere, we are intrinsically interconnected. Amidst the daily grind, it’s easy to forget how nearly every action we take, or decision we make, has a domino effect on the ones around us. A butterfly effect if you will. Keep that in mind every day, every moment. At work and at home.
Think about it. Stay present. Give, collaborate, lift up your neighbor, breathe, rinse, repeat and do it again. Dare to see through the eyes of the other, dare to truly listen, be a great friend, an inspirational teammate, a leader who makes a difference.
United all boats rise.
All together now, get to it.
Find the original article here.
Last week I flew back up to Nashville for Song Team, Team-Building gigs with Bank of America and SCA. The gigs could not have been more different. Tuesday night Scott Barrier, Sherrie Austin and I teamed up with 50 enthusiastic folks from Bank of America in an intimate setting. This was the first face to face meeting ever between these two departments, and we were honored to kick off a new era of collaboration at this forward-looking company. The next day, 11 other writer/facilitators and a full-band were my partners, in giving an interactive keynote for over 400 attendees at SCA where over the past year a merger has occurred, and where after a year of prep work this highly innovative, and creative company is moving forward with ONE vision. We were honored here as well, to be part of a new age of creativity, collaboration and innovation at a Fortune 500 company looking towards the future. What impressed me most about our clients on this trip was that the leadership in both instances, really seemed to “get it.” What did they get?
- Setting the stage with a unified vision
- Accentuating the strengths of the team
- Clearly communicating the goals
- Bringing everyone to the table
That’s what they got. And it’s clear, that both companies are on the right path. Keeping their eyes on the success of both their internal AND their external customers’ needs. And guess what, because of this strong leadership, the employees for these companies are ALL IN!
On the trip back, Southwest Airlines impressed me, as they’ve done so many times before. For some reason, I didn’t check in early enough. Which, since I travel with a big ole’ Gibson guitar, is something I take seriously…usually. I want to make sure there is always overhead space for the instrument. When you travel in C group, occasionally, you may be out of luck. Southwest though, flying to and from Nashville, is typically VERY sensitive to the needs of musicians. Here I was wandering onto the plane late, and the attendant at the front, without prompting from me, had already seen my guitar, and radioed back to her counterpart near the rear of the plane, to “reserve” a spot for my guitar to rest….she knows how many of us pickers feel about checking our babies. I truly appreciated that. Small detail, but makes a difference! Near the end of the flight, the crew dimmed the lights, and asked us to close our window blinds. They they turned on some small emergency lights as “Candles” and sang happy birthday to a surprised passenger. This is “business as usual” for the Southwest team. But on a daily basis, their business as usual creates thousands of loyal customers….daily.
It’s been too long since I’ve written you in this space, and for that I apologize. To be honest, since taking on the role of Director of Operations at Big Dog Ranch Rescue, I’ve been overwhelmed by the undertaking in many ways. 11 months into the process I feel I’m starting to get the hang of it, and the inklings of a work-life balance are creeping back into my existence.
Today I read Neil Gaiman’s ‘Make Good Art” speech in book form. It’s a cool concept/graphic design oriented gift book, recounting this well-known speech he made at a University graduation ceremony May 17th, 2012. The gist of the talk is that those who “make good art” make many mistakes, BIG mistakes, and a variety of mistakes…and that the best artists do this often. The concept resonates with me, but truthfully, as I sit here looking at the lake and the seabirds on this Sunday morning…I really latched on to something else, though it was not the author’s intended message.
This book was quite driven by layout. So much so as a matter of fact, that though the entire book was comprised of snippets from Neils’ speech, he and the graphic artist shared billing equally at books end.
What hit me in the face upon reading both what Gaiman had to say, and how he said it was this.
When a painter paints, it’s truly the blending of colors and shades, the contrast between light and dark, and the context of white space vs. occupied space that tell the story of the work. How well the painter accomplishes this teaming of elements, in turn decides how successful the work will be in making a dent in the fragmented impression-span of today’s viewer.
When a dancer dances alone, it’s a sequence of moves, highly choreographed, much practiced…that all work together in creating a seamless stream of movement that is the actual “routine” of a dancer. The story is made of up pieces. Similarly, if the routine involves multiple dancers, rather than a solo act, it’s the joint movements or actions of the collective, which becomes the overall “painting” of this dance.
One of the most prolific songwriting teams in history, husband and wife Barry Mann, and Cynthia Weil are featured on Sunday Morning Live on CBS this morning. “You’ve Lost That Loving Feeling” and dozens of other landmark hits, were inked by this dynamic duo. Talk about a collaboration on multiple levels! Their combined talents, Cynthia for the words, and Barry for the music were largely responsible for creating the soundtrack of a generation. See where I’m going here? The sum of the parts is where it’s at.
Who can you team up with today to make progress, improve something, create your personal masterpiece, push one little corner of the world into better shape?